I still keep contact with those nice people. I count myself very lucky to have found such fantastic people in the magical world of music and internet. But he (has been a piano teacher for 40 years) has reassured me that everything is ok with my pieces. I myself had some doubts as to whether my compositions were good enough, since I never had a formal education in music. I absolutely have to mention Robert King's name (from California) too, who offered to publish sheet music for my pieces. He is a great person and a seasoned musician as well. Paul has been working on all of my songs to get the best possible CD quality. She introduced me to Paul Speer (composer and musician from Arizona). Next, the lovely Kathryn Toyama (composer from California) informed me about the ‘mastering’ process, which was new to me.
Gianni Latrofa (Italian musician and composer from Venice) helped me with his good advice and explanations and so I bought a digital piano and learned how to record. I thought about asking how to get a better sound quality for my songs. When I had several pieces on YouTube I got some nice feedback - from good composers and musicians like Kathryn Toyama, Randy Badazz Alpert, Nadia Cripps, Edwin Orion Brownell, John Sokoloff, Julia Oros, Paolo Fanzaga… and I was really ecstatic about it. Surprisingly, it drew several nice comments and so I was motivated to compose more melodies. I created my pseudonym "Judyesther" and uploaded the video of my first composition to YouTube. Although the quality of the sound left much to be desired, I was happy with it at that time. I composed my first song at the age of forty, recording my performance of it on my acoustic piano. Although I didn't enjoy it much at the time, as an adult I now greatly appreciate being able to play the piano. I learned to play the piano as a child, enough to acquire a basic knowledge of the instrument. So, the moment we enter into sleep is the moment we enter into another domain-that of the Dreamer.My story is more about people's kindness and generosity, the love from folks I discovered through the internet. Now, that can be a profound insight, and in and of itself it leads to a great movie. It is about understanding how each of us is uniquely programmed while we sleep. It doesn’t deserve to be turned into Dream Psychology, it’s not about that. And it is unique information that can be translated, but not in the way that you could imagine. One has to be very careful about not personalizing this phenomenon of the dream state, but it is information. Think about it this way: your Personality on the Dream Plane is similar to what’s going on in your sleeping dog or cat. Your Personality is not involved it’s been reduced to the mammalian level of competence. We become sort of mammalian.īut there is something to grasp, that sleep is a way for us to be impersonally programmed. What happens to us when we go to sleep? Our Personality and Design Crystals change their receptive trajectory from vertical to horizontal. As a matter of fact, working analytically with this information, you’ll see it’s a decoding of the program. This is not what this information, Dream Rave, is about. You’re terrified, you wake up, you’re looking somewhere in your life for a reason-”lie down on my couch and tell me about your dreams, and I’ll tell you about your problems.” There you are caught in what is referred to as the astral plane, and some demon jumps on your back and demands something of you.
Sleep is essential to the program, and the first thing to grasp about the nature of sleeping is that dreams, and what the dreamer experiences, are never personal. There are different forms of life that sleep, and yet, at the same time, science really doesn’t have an explanation.
It seems to be something that is built into nature. We spend approximately a third of our lives asleep.